some housekeeping

by | Aug 3, 2019 | Field Notes

Well, it’s August, and we’ve made it as far as Ruby in Summer Reading, hahaha. Lord it has been a busy time. I’m declaring Summer Reading can go into fall and even winter — I won’t abandon it. I hope you stay tuned.

In the meantime, there is this:

from the research trip and getaway I made last week to Maine, to Rachel Carson’s cabin by the sea. More on this soon. 

I’m juggling (delightedly, gratefully) a particularly rich time in my writing life right now. Here is just yesterday’s work:

I finished researching niggling details and sent in final revisions, author’s note, acknowledgements, dedication, etc etc, to a picture book I’ve written about Rachel Carson that publishes next fall (Random House), art by the stupendously talented Daniel Miyares — all very exciting.

I sent in a revision of the galley letter that will go in front of all KENT STATE galleys — which will be here very soon. That book publishes (Scholastic Press) in April 2020. Also exciting. We have an amazing cover for this book that I can’t wait to share when the time is right.

I prepared for Scholastic’s sales conference in NYC next week, where I’ll be speaking about KENT STATE to sales reps from across the country. I’m scripting myself for this 5-8 minute talk, and selecting some slides.

I spoke with my agent about illustrators for a picture book I’ve worked on for many years that may be sold soon. The editor in question wants to take it to acquisitions with an illustrator and vision in mind. Very exciting! So many books take me such a long time to figure out.

I worked back-and-forth with Scholastic audio on listening to auditions and selecting a reader to be Molly for the audiobook of ANTHEM. Also very exciting! We’ve been bouncing this around for some time — we have decided on Norman, and we have our narrator, and we were trying to get Molly just right. I think yesterday we found her.

I corresponded with my uber-talented and patient webmistress about moving A LONG LINE OF CAKES off its prominent “new book” position on my home page and moving ANTHEM into its place, and I set up a training time with her, so I can make these changes myself in time.

I answered a backlog of email.

When I showed up mid-afternoon to get my hair cut, here is what I heard: “Your hair is very emotional today!” hahahahaha. Yeah. It’s an emotional time. And so very busy. I know how lucky I am. 

I got mostly off the road late last year, which has given me the opportunity to write more and have days like I had yesterday, and like I hope to have more of going forward.

I’ve been writing professionally for 35 years now, in one capacity or another, and working in this book business for a little over 20 years now, publishing books since 2001, and this is the first time I’ve had TIME stretching out ahead of me.

Part of it is age, and stage, part of it is getting off the road, and part of it is finishing up major projects, like the Sixties Trilogy (which I sold in 2008) followed immediately by KENT STATE. 

It’s also the first time in 11 years I haven’t woken to a publishing deadline. Everything is turned in, finished. It’s luscious. I don’t want to give up that feeling! But I have work to do. So — what now?

I have two proposals to write, both for big writing projects. I spoke with my agent this week about those. I have picture books to go back to. A bunch of other writing and home projects I’m eager to paddle around with, in what’s left of this summer.

Also, there is housekeeping.

I have a new website! Is it not GORGEOUS? Thank you, Cyndi Craven! We are still tweaking, and having fun with it, and I am ever grateful for such a professional looking site. I hadn’t updated my website design in 9 years, since COUNTDOWN was published. Ulp.

Check out the BOOKS page, so lovely, and see how each book’s page (click on REVOLUTION for an example) now has excellent information for readers, teachers, librarians, parents, and more. I see this new website as a beautiful workhorse for me into this next part of my writing life. I’ll have to do a separate blog post about it at some point.

I’m moving this Blogger blog to my WordPress website soon, just fyi. It’s already there, actually, and you can go sub there soon as well, although I won’t be completely away from Blogger for some time yet, so no worries if you want to hang out here on Blogger with me while we transition everything.

My idea is to “own my own content” and eventually be off social media platforms and have everything about me at my website. I was off social media for four years, and it did me good. I’m trying to figure out a way to return that works for me. Hence, having all content in one place. More on that as we transition.

In the meantime, I am once again (mostly against my will, hahaha) at Facebook, Twitter, and Instagram (you’ll find me here most often because I like the visual storytelling, and it feels less nekkid-making). 

And I’m at Pinterest, never left Pinterest, as this is where I catalog resources for my work in progress, so it’s a work tool, it’s messy, but it’s process, and maybe useful to readers… it’s certainly useful to me, and I love this tool for that reason.

And I’m here, once again, at the blog, and very happy about that. Thanks for hanging out with me.

xoxo Debbie 

summer reading: Freedom Summer

by | Jun 3, 2019 | Field Notes

I’ve about forgotten how to blog. :> But it’s summer, and summer always meant reading, to me, along with bike rides in the woods and friends over to play, swimming pools, baseball, family camping and fishing, and trips to my grandmother’s house in Mississippi, where we’d have nothing to do but breathe, try not expire in the heat, and listen to the kinfolks swap stories and gossip. Nothing and everything. I grew up on stories.

I had a stack of library books that rotated in and out of my bed, my brother’s tree house, my bath (until they were dunked under accidentally), the dinner table (until they were confiscated), and the car. I read everything I could get my hands on, even encyclopedias, even Popular Mechanics. Even stuff I didn’t understand at 12, like Dracula. It scared the pants off me.

And now I write about those summers, in books of my own. I have a newly-designed website ready to share this summer, and as I do, I want to revisit my books, as much to reacquaint myself with their characters and stories, as to share them with you. A book and a story each week for the summer weeks, from June into August.

So let me begin at the beginning:

Freedom Summer was the first book I published, with editor Anne Schwartz, at Simon & Schuster, in January 2001. Anne’s imprint was Atheneum Books for Young Readers. Jerome Lagarrigue illustrated my 760 words, and we were off into a whirlwind year of unexpected excitement. More to come about that!

Jerome had illustrated his first book, My Man Blue, by Nikki Grimes. This would be his second. He was 28 years old, from France (his father) and Brooklyn (his mother), and wasn’t even born in 1964, when the book takes place.

I was convinced he wouldn’t be able to understand the Southern time and place I was writing about, but I couldn’t have been more mistaken.

Smart Jerome interviewed his grandmother, who lived in Richmond, Virginia in the Sixties, who had seen her share of racism and civil rights unrest, as an African-American woman living in the American South; she had stories to tell. And Jerome did his homework. As did I. As did Anne.

We lovingly put together, together, the story of the friendship of two boys, one black and one white, and what happens when the segregated pool is supposed to open to “everybody under the sun, no matter what color” in July 1964 after the passage of the Civil Rights Act.

Freedom Summer was published almost 20 years ago. It still sells and sells, out there in the world, a story about friendship and fairness and the decisions two young boys face together in the segregated South of the Sixties.

In 2014, at the 50th anniversary of the passage of the Civil Rights Act, S&S issued an anniversary edition of the book, which is the cover you see here.

Next up: the story of how Freedom Summer came to be, how it grew from a piece of my own childhood personal narrative, to a book for young (and older) readers.

But for now, I’m going to pull the book off the shelf and read it again, out loud, this time doing something I haven’t done for years: turning each page as I read aloud, and taking my time, listening to the cadences of the language just for myself alone, and admiring Jerome’s art.

For years I couldn’t read this book without tearing up. Now I have it memorized, and rarely have the book in my hands when I read it. I’ve put the pages on slides (PowerPoint, today), and I have “read it” many, many hundreds of times, over the past 18 years, to children in pre-K through college, in schools and libraries and bookstores across this country, and even around the world.

Today I watch young people and their teachers have the same reaction I did as I read it years ago, when “John Henry’s eyes fill with angry tears. ‘I did! I wanted to swim in this pool! I want to do everything you can do!'”